top of page

Porcelain Hammer

Born For Years LP

Limited Edition LP

kHz-1012

Released 2025

01 Born For Years 1Porcelain Hammer
00:00 / 03:14

Ben Miller: Vocal, Stereo Baritone Guitar, Bass
Michael Khoury: Violin
Deanna McMullen Lee: Cello

Mike List: Drum kit, Tablas, Dumbec, Riq

Porcelain Hammer formed in 2018 for the purpose of expanding the direction of Ben Miller's multiphonic guitar work into a full ensemble. This new direction in Miller's music is the melding of art, psych, world and no-wave with lyrical hypnagogia. 

Miller played guitar in Sproton Layer with brothers Roger and Laurence (1969-71), The Fourth World Quartet (1975), Destroy All Monsters with Ron Asheton and Michael Davis (1977-78), the avant-power trio Nonfiction (1982-85), Chicago's Dirty Old Man River (1997-2000), and Third Border (2004-2010). 

This century, Miller performs solo multiphonic guitar and has produced several releases on his own imprint (Living Records), touring extensively across the east coast, midwest, and Europe. He performed and recorded with Glenn Branca's 100 guitar orchestra and toured with The Glenn Branca Ensemble, provided live multiphonic guitar-scape for NOX with renowned poetess Anne Carson and former Merce Cunningham dancers Rashaun Mitchel & Silas Riener, and played as principle actor in the multidisciplinary performance of RUINES with Franck Vigroux. Miller also formed NYC's Sensorium Saxophone Orchestra. Now living in the Detroit metro area, Miller's focus is The Sensorium Chamber Orchestra furthering his composition in a multi-timbrel setting.

Miller plays a modified Gibson Kalamazoo that has an inverted neck pick-up over the first fret which is output, along with the bridge pickup, to stereo. Contact mics are placed on the body and headstock and are also split stereo.

"When creating spontaneous sound, with this instrument in particular, I view the process more as a visual artist than a musician; thinking in terms of texture and shape rather than melody and chords. Structure is intentionally loose, though with inherent formation appearing as if on its own. At times, I feel as though I am leaving the room. This is when I know I am on the right track." -- Ben Miller, 'In The Moment' liner notes.

 “There are a whole lot of interesting guitar oddities on IN THE MOMENT and I’m loving every second of it. Repetitious sonic globules weaving through tape glop and elephant trumpeting run headfirst into a minimalist brick wall. Voids appear, scratch out a few steel-cut melodies and saunter back into the luminous divide. Miller can play it all. Sprawling explorations dissipate into hazy webs. Whatever gets left behind is consumed by the woozy plucks stuck between two ghosts fighting for the last seat on the boat. Rhythmic spillage bleeds into an echo chamber that’s being eaten alive by howling scratches. In the Moment is one hell of a trip."  - Foxy Digitalis, April 2022

PorcelainHammer_promophoto.jpg
porcelainhammer_frontcover_title.jpg
The Leaning Tower of Cake.jpg
logo_inverted_darkgray2.jpg

© 2019-2025 by Twenty One Eighty Two Recording Company.

2182 kHz was used as the distress frequency on shortwave radio.  The Recording Company was certainly borne out of this spirit, but not everything you hear or see will be distressing.
  • Bandcamp - 2182 Recording Company
  • YouTube
  • Instagram - 2182 Recording Company
  • Twitter - 2182 Recording Company
bottom of page