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Fellahin

Live at Space Mountain LP

Limited Edition LP

kHz-1013

Released 2025

Steve Bristol: playing cards, electric fan, congas, bamboo sticks, bamboo dinner mat
Michael Khoury: Violin
Kenny Millions: clarinet, guitar

Fellahin is a violin, wind and percussion format for violinist Mike Khoury.  He has assembled this instrumental grouping several times under that moniker.  For this album, Khoury travelled to Miami to work with Kenny Millions (Keshavan Maslak) on clarinet and guitar, and Steven Bristol on percussion.

Khoury is best known for his work as a soloist, in duet with percussionist Ben Hall and dancer/choreographer Leyya Tawil and as a member of The Northwoods Improvisers, Porcelain Hammer, The Redford Civic Symphony and the Sensorium Chamber Orchestra.  He operates the Entropy Stereo label, space, and studio where he composes, conducts research and produces recordings of his and other groups.

Former Detroiter, Kenny Millions (aka Keshavan Maslak), is a free music veteran having led groups with John Lindberg, Sonny Murray and a litany of downtown stalwarts like Phillip Glass, Rhys Chatham and Laurie Anderson.  A fearless musician, Kenny started in the Motown touring band and eventually hung out with John Cage, turning him on to Derek Bailey’s live performances.

Steven Bristol is one of Miami’s best kept secrets.  A stunning percussionist and pianist, Bristol is also a producer known for his work with Kool Keith having produced the last session of proto filthy rap, Blowfly, with a cast of free jazz giants.  Bristol has performed or recorded with the likes of Rat Bastard, Thurston Moore and Chris Corsano.

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 “Millions might make you squirm when he takes to a stage, often looking like a greasy cyberpunk butcher in a Z-grade film, but within his musings and shrilly salvos, there's a raw and sadly forgotten type of artistry that shares a commonality within the expressive primitive self we all harbor but choose to ignore."  - Abel Folgar, Broward Pal Beach New Times

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© 2019-2025 by Twenty One Eighty Two Recording Company.

2182 kHz was used as the distress frequency on shortwave radio.  The Recording Company was certainly borne out of this spirit, but not everything you hear or see will be distressing.
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